Like last year, I probably missed a few books in the tally below, but seeing as the year is winding down, I’m calling it. For the 15th year in a row, here is my annual reading and listening summary (As always here are my posts on books read in 2023, 2022, 2021, 2020, 2019, 2018, 2017, 2016, 2015, 2014, 2013, 2012, 2011, 2010, and 2009):
Books read in 2024: 172
Comics and graphic novels included in reading total: 9
Books of poetry included in reading total: 5
Books reread included in reading total: 10
Academic & Education related books included in reading total: 30
La Cuenta and immigration research related books included in total: 22
Not counted in this total is The Cost of Being Undocumented, the book that Alix Dick and I finished at the beginning of 2024 and spent good chunks of this year editing. (The minor edits to the book’s page proofs are due on January 2nd.) I read the completed manuscript six times throughout the year in addition to substantial time spent editing, rewriting, and reworking various chapters.
I don’t tend to put myself out there for my various publishing projects, but this was my favorite book of 2024, and I am absolutely thrilled to share it with you all in June.
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We’ll be announcing pre-order stuff soon – if you haven’t subscribed to La Cuenta, we have had an amazing year of writing in that space and will share various book updates over there.
My favorite novels of the year were Percival Everett’s James and Lisa Ko’s Memory Piece. These were both books that lingered long after I finished them. I highly recommend both.
Other fiction shoutouts include Kelly Link’s The Book of Love, Rufi Thorpe’s Margo’s Got Money Troubles, and Kaoru Takamura’s two-part epic, Lady Joker (imagine a Michael Mann heist-y story set in ‘90s era Japan but with hundreds of pages that unfold slowly about the socioeconomic conditions that led to the heist. A glacial thriller that I hope leads to more of her work being translated into English.)
Three essential non-fiction reads for understanding this present moment and the possible worlds to come: Ta-Nehisi Coates’ The Message, Vanessa Angélica Villareal’s Magical / Realism, and Alexis Pauline Gumb’s Survival is a Promise.
Danez Smith’s Bluff was my favorite book of poetry this year (the source for the title of this post). It felt even more stylistically (and typographically) playful than their previous work, while still being something accessible for most readers.
For La Cuenta, we interviewed some amazing authors over this past year. It was a pleasure to get to dig into some really incredible books including Silky Shah’s Unbuild Walls, Prisca Dorcas Mojica Rodríguez Tias and Primas (interview coming in January), Elizabeth Camarillo Gutierrez’s My Side of the River, and Bill Ong Hing’s Humanizing Immigration.
In terms of music, sometime last year I finished watching Reservation Dogs and a song from Ted Lucas played near the end of one of the final episodes:
I’d never heard of Lucas before, but his self titled album has been a consistent go-to throughout the year.
In November, Autechre released 12 (?!) different live albums. I am still working my way through the plethora of bloops recorded across the globe, but every set has been stunning. I’m genuinely surprised not as many people have been raving about this.
This year felt like a generally strong one, musically. Some of my favorite albums were from The Marias, Vampire Weekend, Kim Gordon, Shannon and the Clams, and Cindy Lee.
Two albums from new-to-me bands I also loved this year were Julie’s My Anti-Aircraft Friend and Friko’s Where We’ve Been, Where We Go From Here.
Bleachers released a single to kick off the holiday season, “Merry Christmas, Please Don’t Call.” It feels like an appropriate thematic end to 2024: