Category Archives: clips

Pose/Wobble/Flow in English Journal and the Next Digital Scholar

Throughout much of last year, Cindy O’Donnell-Allen and I have been working on a model of teacher development and support we call Pose/Wobble/Flow. We’ve used this model for personal reflection, within our teacher education classes, and at various conferences. A smattering of writing around this area has begun to trickle down the publication pipeline.

I’m pleased to share our article for the current issue of English Journal, “Wobbling in Public: Supporting New and Experienced Teachers.” The article is available as a free pdf from the above link, check it out!

Similarly, Cindy and I have a chapter in the recently released collection, The Next Digital Scholar: A Fresh Approach to the Common Core State Standards in Research and Writing edited by James Purdy and Randall McClure. Our chapter is called “The Saving Our Stories Project: Pushing Beyond the Culturally Neutral Digital Literacies of the Common Core State Standards.” Though not stated directly in this chapter, the writing here helped formulate the work around P/W/F shared in English Journal and a couple of future publications. Request it from your library!

Call for Chapters: Alternate Reality Games and the Cusp of Digital Gameplay

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Please feel free to get in touch if you are interested/have questions. And please share and distribute widely!

Call for Chapters: Alternate Reality Games and the Cusp of Digital Gameplay

Series: Approaches to Digital Game Studies, Bloomsbury

Editors: Antero Garcia, Colorado State University & Greg Niemeyer, University of California, Berkeley

Alternate Reality Games (ARGs) challenge what players understand as “real.”
Though prominent examples of ARGs have persisted over the past two decades, only recently have ARGs come to the prominence as a unique and highly visible digital game genre. Adopting many of the same strategies as online video games, ARGs blur the distinction between the “real” and the “virtual.”

We seek chapter proposals for a proposed collection that explores and defines the possibilities of ARGs. With ARGs continuing to be an important and blurred space between digital and physical gameplay, this collection offers clear analysis of game design, implementation, and ramifications for game studies. Divided into three distinct sections (noted below), this collection emphasizes first hand accounts by leading ARG creators, scholarly analysis of the meaning behind ARGs from noted critics and researchers, and explication of emerging visualization and data collection methodologies. We are particularly interested in cultivating research from various disciplinary perspectives; by balancing the voices of designers, players, and researchers, this work highlights how the Alternate Reality Game genre is transforming the ways we play and interact today.

We seek chapter proposals that fit within one of the following three book sections:

Section One – Development and Execution
Chapters in this section of the book detail the design and implementation of ARGs. Authors pay attention to specific fictions, audiences, and goals within these ARGs and offer a clear step-by-step behind the scenes look at how these game designers engineer new modes of play and participation.

Section Two – Alternating Reality – how ARGs are changing games and society
These chapters focus on analysis and critique of ARGs. While some chapters may focus on specific games, other chapters in this section invoke larger trends in ARGs.

Section Three – Data Visualization and Collection
As the ARG genre is dependent on responding to the ways participants interact with one another and with a story’s content, this section of the book looks at how we interpret and construct data. In particular, the genre of digital games is reinventing new data visualization methodologies and this section should illuminate ways games display information during play and as synopsis after a game concludes.

This edited volume has received initial interest from the Digital Game Studies series editors and we are currently seeking additional chapters to share with the editors and secure a book contract. The deadline for proposals of 300-500 words is August 15, 2014. Please email your abstract and a 100 word biography to anterobot@gmail.com (please indicate to which section of the book your proposal is directed). All authors will be notified of acceptance by September 2nd and full chapter manuscripts would be due in April, 2015. Please do not hesitate to contact us with any questions at the above address.

Updates: Linda Christensen’s Presentation on Tuesday and more ebook reviews

Just a quick reminder that the final speaker as part of the CSU English Department’s Literacies of Contemporary Civic Life Speaker Series, Linda Christensen, will be here on Tuesday. Professor Christensen’s work has been a foundational part of how I grew as a teacher and I am honored to get to learn from her in person next week. Here is a description of her upcoming presentation:

The Tulsa Race Riot: Raising Voices Silenced by History

The past is not dead, and it needs to be remembered for students to understand contemporary patterns of wealth and poverty, privilege and marginalization. Our curriculum should equip students to “talk back” to the world. Students must learn to pose essential critical questions: Who makes decisions and who is left out? Who benefits and who suffers?  What are the origins of today’s problems? What alternatives can we imagine? What is required to create change? In this presentation, Christensen will engage participants in an examination of a historical event from eyewitness accounts to revisit the history of the 1921 Tulsa Race Riot. Through this workshop, she will demonstrate how she uses “silences” in history to construct solid literacy practices including persuasive essays and historical fiction, building a framework for critical literacy that helps students navigate an increasingly unequal world.

As usual we will be in Clark A205 at 5:30 and the event is free. Please join us!

On an unrelated note, there are two new reviews of Teaching in the Connected Learning Classroom. Here’s a review from School Library Journal.  And here’s another from Paul Oh using Graphite. (Send me a tweet or email if you review the book!)

If you haven’t caught any of the Connected Learning webinars this month related to the book, there’s still time!

Presenting at the Colorado Teen Literature Conference

Just a quick note to let you know I will be presenting at the Colorado Teen Literature Conference this Saturday. (Yes, I am missing AERA this year.)

I believe the conference registration is already full. However, if you’re going, here’s a sneak peek of my presentation:

Teen Literature as Empowerment: Learning from Participatory Culture and Critical Literacy

This workshop explores the opportunities and challenges that libraries face in an era of participatory culture. Teen literature is a powerful space for critical learning and this session will look at how to adapt to what new teen literature can teach. Through collaboration, participants will build a framework of participatory learning and culture to help libraries and librarians conceptualize multiple, diverse points of access to meaningful literacy experiences.

I hope to see you there!

New Article in Educational Policy

I have a new co-authored article in Educational Policy titled “Schooling Mobile Phones: Assumptions About Proximal Benefits, the Challenges of Shifting Meanings, and the Politics of Teaching.” The article can be viewed at this link. Here’s the abstract:

Mobile devices are increasingly upheld as powerful tools for learning and school reform. In this article, we prioritize youth voices to critically examine assumptions about student interest in mobile devices that often drive the incorporation of new technologies into schools. By demonstrating how the very meaning of mobile phones shift as they are institutionalized and by highlighting the divergences between adult and youth assumptions about these devices, we make a significant contribution to policy debates about the role of new digital technologies in the classroom. In addition, we explore challenges such as privacy, freedom, and resource-use that emerge when scaling-upthe use of mobile technologies in the classroom.

I want to thank my co-author, Thomas M. Philip, for working on this with me. Thomas has been an invaluable mentor and collaborator and he is the recent winner of the AERA Division G Early Career Award. To hear Thomas talk about findings from this article and other avenues of work he’s done, check this out.

Catching up with the Connected Learning Classroom

A few updates regarding the recently released report/ebook Teaching in the Connected Learning Classroom:

Most timely, tomorrow–and every tuesday in April–I’ll be participating in the ConnectedLearning.TV webinar series focused on the major principles highlighted in the book. Tomorrow’s event is titled “Networked Classrooms: Providing Equitable Access to Connected Learning” and I encourage you to check out the  hashtag #wherewelearn in preparation for the webinar.

We have some amazing guests scheduled throughout the month. Our final webinar in April is an unHangout where you can more directly join in on the conversation. Be sure to join us! (A special shout out to Nicole Mirra who has been doing the brunt of the organizing for this series. She also wrote this post about the series. If you aren’t reading her blog, Revise and Resubmit, do so now.)

Two weeks ago we hosted a related webinar about the report for Educator Innovator. You can rewatch the discussion here:

A few reviews of the book have been trickling in here, here, and here. (If you are interested in reviewing it, please pass along the link!)

Finally, the ebook is now available for the Kindle here. While that’s great and all, the file costs $.99, which is exactly $.99 more than the pdf version of the same material. Full disclosure: I don’t have any control over this cost (and none of the authors or curators of the book–myself included–gain from this).

It’s been thrilling hearing the many ways educators have been engaging with this work – I hope you have had a chance to dive in!

Revisiting Divergent and Female Sexuality in YA

Did you watch Divergent this weekend? I’ll admit I think it was a stronger film adaptation than many other YA-related films lately.

In any case, I’d like to point you back to an excerpt from my book that focuses on Divergent and female sexuality originally posted here. The film adaptation readjusts this scene to be more about sexual violence than about the sexuality of a scared, uncertain girl. Being afraid of sexual assault is an entirely warranted fear for young people (particularly women) to feel. The ways this fear was different within the book, however, are more problematic. I am curious how the film version will cast aside past readings as this book becomes more entrenched in its film vision (when you think of Harry Potter do you conjure an image of a young Daniel Radcliffe or a non-Hollywood image of the-boy-who-lived?). Again, check out the excerpt from my book – I plan to share another one soon!

Related, I think the Maze Runner film adaptation looks strong, too. A shame that the two other books (and prequel) absolutely fall apart… (you should probably read my book’s chapter focused on the perils of serialization while you’re at it!).

Teaching in the Connected Learning Classroom

The DML Research Hub released Teaching in the Connected Learning Classroom  last week. This is a report I spent much of 2013 editing and co-writing with a stellar team of National Writing Project members. The report is free to download and read and I hope you will spend time with the powerful document.

Today, I published a blog post at DMLcentral that describes the reason this book exists. The original post and its comments can be accessed here. However, as a text that helps contextualize the need for Teaching in the Connected Learning Classroom in 2014, I am also pasting the post below.

Last week saw the release of Teaching in the Connected Learning Classroom, a free Connected Learning report I edited. I’m hoping you’ll spend some time reading it — it features a plethora of powerful contributions by members of the National Writing Project. When you riffle throughTeaching in the Connected Learning Classroom, what you’ll see is a series of narratives from educators from across the country sharing how they are already exemplifying connected learning principles in practice in schools.

As educators and researchers, we often talk about the possibilities of advances in learning sciences and pedagogy.

I think we need to move beyond the rhetoric of possibilities.

As you look through this report, please do so with a recognition not of what educators can do in classrooms but rather of what teachers today are doing in regards to connected learning. These are incredible examples of teachers already transforming school life from within. We, as the DML (digital media and learning) community, must begin to visualize how we support the more-than-possibilities of in-school connected learning.

Briefly, I want to describe how this book came together.

On Aspiring to Be More Than a Broken Record

Since the first DML conference, five years ago, I’ve felt like something of a broken record. Each year I ask:

  • Where are the teachers?
  • What about kids in schools?
  • How are our conversations impacting the learning for kids during the hours of 8-3 Monday-Friday?

In Twitter backchannels, in presentations, and in conversations with attendees my questions haven’t changed over the past, formative years for Digital Media and Learning or in regards to connected learning.

It was with these constantly circulating questions around what connected learning means for classrooms and schools that I approached the work that ultimately turned into Teaching in the Connected Learning Classroom.

In observing the powerful examples of connected learning shared online and at DML conferences, I am often left with a sense that many may believe that connected learning is a phenomenon that happens outside of schools and that educational reform like the Common Core State Standards automatically impede any attempts at connected learning-like innovation in classrooms. This isn’t the case.

Working with five other co-editors of each chapter of this project — Danielle Filipiak, Bud Hunt, Clifford Lee, Nicole Mirra, and Cindy O’Donnell-Allen — I decided to organize the book around six key connected learning components:

  • Interest-driven learning
  • Peer-supported learning
  • Academically-oriented teaching
  • Production-centered classrooms
  • Openly networked
  • Shared purpose

Within each of these chapters, you’ll encounter three different teacher-authored vignettes that highlight ways educators are exemplifying principles of connected learning.

A Book of Theory-Building

This is not an instruction manual. My co-editors and the nearly thirty contributors to this project did not sit down to give educators step-by-step instructions on implementing connected learning principles in classrooms. Instead, I organized this book around these examples for two reasons:

  1. Demonstrate the work that’s already being done by teachers
  2. Invite a larger conversation around reshaping what we expect from schools in the U.S. on a daily basis.

Teachers in this book should be duly recognized as theoreticians. The examples here are a mere drop in the bucket in terms of work happening around the country. Instead of dictating a single way educators must demonstrate, for instance, peer-supported learning in classrooms, this project highlights the multitudinous ways classrooms can be transformed. I sincerely hope more teachers are emboldened to flex connected learning principles in their classrooms. And, I sincerely hope non-teachers seek out ways to collaborate and support these efforts.

Marching Orders

My advisor in graduate school, Ernest Morrell, always tells the high school students we work with not to let anyone leave a presentation without their “marching orders.” In other words, if the students had just shared their research findings at a national conference (as they did at DML in 2013), people in the audience need direct instructions on how to move forward and their role in doing so.

In the spirit of these students’ marching orders, I have a question for the non-teachers reading this: how will you support the powerful work and enthusiasm emanating from classrooms near you? (I hope you’ll share in the comments below.)

For the teachers reading this: How can you demand more from your students, your administrators, and your school’s community? How is your classroom reflecting the connected learning principles, as you understand them?

The National Writing Project — instrumental in making this project a reality — continues to highlight the power of leveraging the expertise of thousands of enthusiastic teachers from around the country. Think of what we can do as a DML community if we turn our collective knowledge onto the “problem” of public education. I want to thank the members of NWP who have helped push my thinking and the many of you who helped illuminate in-school connected learning as contributors, editors, and supporters of this report.

I hope you will read Teaching in the Connected Learning Classroom, obviously. But I hope that your reading isn’t a passive activity. I tell my pre-service teachers at Colorado State University, when they struggle with the theoretical readings in my classroom that they need to read harder. We cannot afford to disregard the needs of America’s posterity just because improving education is difficult. Our children are too important. I hope you will read Teaching in the Connected Learning Classroom as a step toward a transformational dialogue.

Teacher Voices: Teaching Young Men of Color

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The National Writing Project recently published a new report that I helped contribute to, Teacher Voices: Teaching Young Men of ColorThe link describes the report as follows:

The new report from the National Writing Project, “Teacher Voices: Teaching Young Men of Color” focuses on powerful insights and knowledge from twelve teachers working in schools across the country. Working with colleagues from The College Board, this latest project in the Teacher Voices series advances conversations about the inadequate educational progress of males of color in America.

This was a fun project to be involved with and I am grateful for the opportunity to continue to connect with some of the country’s most brilliant educators. The document can be downloaded as a PDF for free here. Check out to see out-of-control-hair-era Antero.

 

 

Oh: YA and the Male Gaze

Earlier in the year my first book, Critical Foundations in Young Adult Literature was released. As I mentioned earlier, I will be occasionally posting excerpts from the book on this blog and elsewhere. Below is a two-page section from my chapter focused on gender and sexuality in YA. Take a look and consider requesting the book from your local library or bookstore (I should probably mention that this book is a perfect stocking stuffer for the future educator in your family…)

In Divergent the female protagonist, Tris faces her fears in a simulation as part of the final test to join the Dauntless faction. After facing fears of crows, drowning, and being burned alive, one of Tris’s final fears is best described as a fear of intimacy. More bluntly, Tris is shown as fearful of having sex with her character’s love interest, Tobias. In the drug-induced simulation, Tris must face her fear in order to find acceptance within the sect she is a part of:

He presses his mouth to mine, and my lips part. I thought it would be impossible to forget I was in a simulation. I was wrong; he makes everything else disintegrate.
His fingers find my jacket zipper and pull it down in one slow swipe until the zipper detaches. He tugs the jacket from my shoulders.
Oh, is all I can think as he kisses me again. Oh.
My fear is being with him. I have been wary of affection all my life, but I didn’t
know how deep that wariness went.
But this obstacle doesn’t feel the same as the others. It is a different kind of fear–nervous panic rather than blind terror.
He slides his hands down my arms and then squeezes my hips, his fingers sliding over the skin just above my belt, and I shiver.
I gently push him back and press my hands to my forehead. I have been attacked by crows and men with grotesque faces; I have been set on fire by the boy who almost threw me off a ledge; I have almost drowned–twice–and this is what I can’t cope with? This is the fear I have no solutions for–a boy I like, who wants to … have sex with me? (Roth, 2011, p. 393)

The passage challenges notions of what it means to be in control of one’s feelings and actions. The author tells readers that Tris “wants” to have sex with Tobias but the description is anything but enticing. The male character “presses his mouth,” and “tugs” clothing off, and “slides his hands” across the narrator’s body. For someone who is fearful she must give in to the invasive actions of her love interest. Where is the narrator’s agency here? More importantly, what does this passage suggest about femininity for readers? Is it to not be fearful when a boy one likes engages in similar activity? If this is her fear that she must overcome, should readers too find the willpower to endure such actions?

In similarly problematic depictions of female behavior, Taylor’s Daughter of Smoke and Bone takes an otherwise independent and strong-willed protagonist and renders her all but helpless when encountering an attractive, male foe. Early in Daughter of Smoke and Bone, Karou encounters an angel named, Akiva. For Karou, his beauty is exuded to the point of distraction. While Karou is fighting Akiva, her internal monologue depicts a woman flawed by her own sexuality; the fact that she finds this angel beautiful drives her actions in ways that are potentially life- threatening:

He stood a mere body’s length away, the point of his sword resting on the ground.
Oh, thought Karou, staring at him. Oh.
Angel indeed.
He stood revealed. The blade of his long sword gleamed white from the incandescence of his wings–vast shimmering wings, their reach so great they swept the walls on either side of the alley, each feather like the wind-tugged lick of a candle flame.
Those eyes.
His gaze was like a lit fuse, scorching the air between them. He was the most beautiful thing Karou had ever seen. Her first thought, incongruous but overpowering, was to memorize him so she could draw him later. (Taylor, 2011, p. 95)

Notice, across both Taylor and Roth’s depictions of sexual attraction as a weakness and fear in female protagonists the use of the italicized “Oh.” As if these women are stupefied and subsequently educated about sexuality through their encounters with men, both texts rely on this word as a means of suggesting the mental circuitry that wires women’s sexual awakenings. To her credit, Taylor crafts her description such that it does not focus on specific physical attributes. Instead, such depictions of beauty are largely left to the imagination of readers. What is problematic here is the constant loop of physical attraction that runs through Karou’s mind.

In addition to Karou’s overwhelming sexuality, Taylor’s text interweaves beauty and emotion for other characters in the text. For example, describing one of the ancillary characters, Taylor makes it clear that part of Liraz’s beauty is specifically related to her being female and “sharklike”. Taylor writes: “Though Hazael was more powerful, Liraz was more frightening, she always had been; perhaps she’d had to be, being female” (Taylor, 2011, p. 253). The construction of this sentence is striking: Taylor appears to deliberately draw connections that are powerful and problematic for young adult readers. It’s not simply that Liraz is frightening and female–this in itself would be worth considering in how it implicates beauty for readers. Instead, Liraz is frightening because “she’d had to be, being female.” Her frightening nature is due to how she is gendered by society. I want to make this use of “gender” as a verb clear: in the society of Daughter of Smoke and Bone Liraz is frightening and society casts her looks and frightfulness as particularly female attributes; they are cast, discursively, as what helps comprise her as a woman. For readers of this text the subtle construction of sentences like this one interweave feminine beauty – something that can be aspired to–as frightening. However, perhaps more importantly, this beauty and fearfulness can be seen as powerful: beautiful women have power and can enact changes in the world around them.

Immediately following the above sentence connecting femininity to frightfulness, Taylor writes, “Her [Liraz’s] pale hair was scraped back in severe plaits, and there was something coolly sharklike about her beauty: a flat, killer apathy” (Taylor, 2011, p. 253). This beauty is expanded to a less beautiful understanding of her appearance: her hair does not flow softly, it is “scraped” and “severe” and her appearance is “sharklike.” The harsh alliteration within this sentence cuts into the reading of the text and makes the description of this female angel something wholly inhuman, frightful and dangerous. Whereas Pudge’s view of Alaska [in Green’s Looking for Alaska] as an unknowable and vastly sexual woman placed control of female identity in the hands and gaze of the male character, Liraz here is a strong and beautiful woman. However, the description here makes her cold, calculating, and dangerous.

These are small microaggressions that female readers endure from one book to another. Instead of claiming that these readings of passages from Roth and Taylor critique too heavily minor, well-intentioned passages, I believe these are damning attributes of the literature we encourage young people to read non-critically. The messages of how females must look and behave that are read again and again in these texts typify identities that sexualize and pacify a female readership.

 

Thanks for reading! Consider checking out the rest of the book over your winter break!